{"id":2827,"date":"2017-02-09T21:49:15","date_gmt":"2017-02-10T05:49:15","guid":{"rendered":"https:\/\/www.backerkit.com\/blog\/?p=2827"},"modified":"2017-10-11T19:33:19","modified_gmt":"2017-10-12T02:33:19","slug":"167-three-steps-to-creating-an-awesome-product-the-omg-jellyfish-story","status":"publish","type":"post","link":"https:\/\/www.backerkit.com\/blog\/167-three-steps-to-creating-an-awesome-product-the-omg-jellyfish-story\/","title":{"rendered":"Three Steps to Creating an Awesome Product: The OMG Jellyfish Story"},"content":{"rendered":"<span class=\"cb-itemprop\" itemprop=\"reviewBody\"><p>In 2009 Patti Lord made a group costume for <a href=\"http:\/\/burningman.org\/\" target=\"_blank\">Burning Man<\/a> that comprised five ethereal, undulating jellyfish. Instantly identifiable on the playa, the glowing jellyfish were a bonafide hit, and two years later Lord received <a href=\"http:\/\/burningman.org\/culture\/burning-man-arts\/\">funding <\/a>to make 25 of them as part of a participatory art project. \u201cAnyone who could carry an eight-pound pole could come be part of our art,\u201d Lord says.<\/p>\n<p>Soon she found the demand for her jellyfish spread beyond Burning Man. Lord and her jellyfish were getting hired at music festivals, aquariums, galleries, and weddings, and she began fielding queries from people who wanted to know if and where they could be purchased.<\/p>\n<p>It seemed there was a gap in the market for oversized, luminescent invertebrates, but Lord knew the product needed more work before selling it to the public. For one thing, she says, the design for the jellyfish she took to Burning Man was not consumer-friendly. \u201cI knew it had to be packable,\u201d she says.<\/p>\n<p>She drew on her background in sales and merchandising for companies like <a href=\"https:\/\/www.thenorthface.com\/\">The North Face<\/a> and <a href=\"http:\/\/www.mountainhardwear.com\/\">Mountain Hardwear<\/a> to \u201csource materials and went through a process of identifying what\u2019s easy to set up, yet still beautiful and compact\u201d. It was during this process that she and her team formed a compelling value proposition for their crowdfunding campaign. They would offer a product that was portable and durable for outdoor music festivals, while remaining visually striking.<\/p>\n<figure class=\"tmblr-full\" data-orig-width=\"1536\" data-orig-height=\"864\"><img decoding=\"async\" src=\"https:\/\/www.backerkit.com\/blog\/wp-content\/uploads\/2017\/02\/tumblr_inline_ol4ikvaFAm1ra7u74_540-1.jpg\" alt=\"image\" data-orig-width=\"1536\" data-orig-height=\"864\" \/><\/figure>\n<p>In 2013, the crowdfunding campaign for the <a href=\"https:\/\/www.kickstarter.com\/projects\/pattilord\/omg-jellyfish\">OMG Jellyfish<\/a> was born. \u201cI wanted to make a product that you could take to a music festival, carry it, set it up when you needed it,\u201d she says. But functionality was important too. \u201cOne of the use cases that made it a very pragmatic puppet was that some of the festivals are quite large, and one of the big challenges is staying together with your friends.\u201d<\/p>\n<p>From a marketing perspective, however, she wanted to widen the OMG Jellyfish\u2019s appeal beyond music festivals. She believed an otherworldly light display could also be used at weddings, special occasions, and as an outdoor fixture for the home.<\/p>\n<h2>Step One: Research Your Price Point<\/h2>\n<p>The cost of manufacturing the jellyfish\u2019s inflatable chassis would be central in making it a functional, affordable product. Lord began to do her research.<\/p>\n<blockquote><p>\u201cI thought, \u2018What do people spend when they go to, say, Coachella? If we want to make a very durable product that\u2019s not a throwaway at the end of the festival, that\u2019s going to cost more money. Where\u2019s that sweet spot?\u201d<\/p><\/blockquote>\n<p>She looked at ticket prices, asked friends who regularly attended festivals, factored in discretionary spending on food and drink, and scoured <a href=\"https:\/\/www.pinterest.com\/explore\/coachella\/\">Pinterest boards<\/a> to see what people pinned \u2014 specifically the kind of equipment and gear they brought to festivals and how much it would typically cost \u2014 and then added these expenses to the ticket price to gauge a price range that consumers would be willing to accept: $125 to $175.<\/p>\n<p>\u201cIn my experience in product companies, you want that research to be separate from your design phase,\u201d Lord says. \u201cYou want to design the best product you can, and then come together and say, \u2018Wow, that\u2019s really much higher than our price point\u2019.\u201d At the end of the day, however, a compromise between quality and costs needs to be struck.<\/p>\n<figure class=\"tmblr-full\" data-orig-width=\"900\" data-orig-height=\"600\"><img decoding=\"async\" src=\"https:\/\/www.backerkit.com\/blog\/wp-content\/uploads\/2017\/02\/tumblr_inline_ol4iljw0Cv1ra7u74_540.jpg\" alt=\"image\" data-orig-width=\"900\" data-orig-height=\"600\" \/><\/figure>\n<p>Lord\u2019s team \u201chad to make a few hard choices about lighting\u201d. \u201cWe ended up buying an existing flashlight from Asia,\u201d she said, which ended up being a dollar per unit, instead of using a brighter but more costly pre-LED technology that was heavily integrated into the jellyfish\u2019s body. \u201cIt was going to be too expensive,\u201d she says. \u201cWe would not have been able to manufacture it.\u201d<\/p>\n<p>Creators can achieve economies of scale by manufacturing larger quantities of units. At the same time, opting for a greater sales volume can incur additional risks and expenses for project creators.<\/p>\n<blockquote><p>\u201cIf we had built a jellyfish totem that could have sold for $85, our volume would have increased,\u201d she says. \u201cBut the commitment in terms of the minimum order quantity for the components we were sourcing in Asia would have been 1,000 units \u2014 a big capital expense to put up front.\u201d<\/p><\/blockquote>\n<p>Lord and her team elected to charge a higher price for the OMG Jellyfish, and base their Kickstarter campaign around a minimum need number of 250 units. Moving forward with the lower quantity also allowed the team to set a more reasonable goal amount, which can have a powerful effect on conversions because potential backers will see a $25,000 goal as more achievable than an $85,000 goal.<\/p>\n<p>There were some points in the campaign when Lord worried that she didn\u2019t aim for the higher goal. \u201cIt was day three when Boing Boing dropped their Twitter and <a href=\"http:\/\/boingboing.net\/2013\/06\/05\/kickstarter-otherworldly-glow.html\">blog<\/a> about the OMG Jellyfish Kickstarter and we saw a huge increase in backers,\u201d she said. \u201cWe knew Laughing Squid was also going to do an <a href=\"http:\/\/laughingsquid.com\/omg-jellyfish-illuminated-jellyfish-puppets-for-aspiring-invertebrates\/\">article<\/a>, so we thought we were going to get another ramp up.\u201d But, as it turned out, the Laughing Squid article resulted in little conversion of traffic to backers. In practical terms, this meant that Lord didn\u2019t need to change her plans \u2014 she simply stuck to the production path she had established before the launch of the Kickstarter campaign.<\/p>\n<h2>Step Two: Meeting the Market Price<\/h2>\n<p>The OMG Jellyfish\u2019s initial funding goal was $25,000; at the end of the campaign, it raised $41,196 from 309 backers. It was a successful campaign, Lord says, but she sees some room for improvement.<\/p>\n<p>If faced with an opportunity to a similar project a second time, Lord believes she would act more swiftly on creating pledge tiers to meet backer demand. When the project was featured on Boing Boing, there was a sharp upswing in traffic, which resulted in backers snapping up the OMG Jellyfish at the early-bird price of $125. However, once that allocation was exhausted, the next available price point for backers was $175.<\/p>\n<p>Despite the attention from various blogs, the traffic didn\u2019t convert into extra backers due to the high price. \u201cThat was too big of a jump,\u201d Lord says. \u201cIt wasn\u2019t until two days later that I added a new $150 tier.\u201d The few backers that had pledged $175 were moved across into the $150 pledge level and credited accordingly. In hindsight, she says, she would have taken a more proactive approach.<\/p>\n<blockquote><p>\u201cI wish I would have converted more backers and been more reactive to that in hours, rather than days.\u201d<\/p><\/blockquote>\n<p>Traffic surges from media mentions are short-lived, lasting only a day or two. If your pledge tiers aren\u2019t set to convert backers right when the traffic hits, you\u2019ll lose those sales forever. Some creators increase the backer limit on \u2018early bird\u2019 tiers as they approach capacity to make sure that new backers can get in at the most attractive reward tier.<\/p>\n<h2>Step Three: Redesigning Your Product for the Market<\/h2>\n<p>The process of designing, prototyping, and securing partnerships with manufacturers took about eight months, Lord says. One sticking point was the OMG Jellyfish\u2019s inflatable component, which went through five rounds of iterations. Lord says this process alone took three months, which involved a lot of going back and forth and trying new things.<\/p>\n<p>The jellyfish\u2019s chassis is made with a cast that costs $5,000, so \u201cyou only get to do that once\u201d, she says.<\/p>\n<blockquote><p>\u201cYou really need to have your design right\u201d.<\/p><\/blockquote>\n<p>So the OMG Jellyfish team attempted to find the best shape to hold the jellyfish\u2019s various moving parts together (its snap-on \u2018body\u2019 and canopy) before settling on an inflatable, petal-like structure that sits atop a collapsible aluminum pole.<\/p>\n<figure class=\"tmblr-full\" data-orig-width=\"1000\" data-orig-height=\"750\"><img decoding=\"async\" src=\"https:\/\/www.backerkit.com\/blog\/wp-content\/uploads\/2017\/02\/tumblr_inline_ol4imdSlLa1ra7u74_540.jpg\" alt=\"image\" data-orig-width=\"1000\" data-orig-height=\"750\" \/><\/figure>\n<p>Lord was worried about how long production would take, particularly for components that were made abroad in Asia. In this respect, her fears were unfounded. \u00a0\u201cEverything was air-freighted, which saved us a lot of time,\u201d she said. \u201cThe actual production time was quite low,\u201d she says, \u201cand our products were light, so the air freight wasn\u2019t going to kill us.\u201d<\/p>\n<p>Instead, the biggest problems she faced were local: her sewing manufacturer, based in San Francisco, had suddenly shut down, meaning there was a loss of capacity about three weeks from the first delivery date at Burning Man for the Burning Bloom.<\/p>\n<p>\u201cWe had a lot more time for other backer categories because we had buffered the deliverable date by a month,\u201d Lord says, but she didn\u2019t want to let the early -bird backers down. So, with the help of her mother and three contractors hired from online freelancer marketplace <a href=\"https:\/\/www.taskrabbit.com\/?ref=ggl_cpc&amp;gclid=CIPz7-m0gdICFZSGfgod1o4HVA\">Taskrabbit<\/a> \u2014 \u00a0she took on the task of sewing and assembling the 80-odd jellyfish to distribute at Burning Man.<\/p>\n<\/span>","protected":false},"excerpt":{"rendered":"<p>Patti Lord&#8217;s project first bloomed at Burning Man. <\/p>\n","protected":false},"author":4,"featured_media":2835,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[60,61],"tags":[],"class_list":["post-2827","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-crowdfunding-tips","category-pre-campaign-tips"],"acf":[],"yoast_head":"\n<title>Three Steps to Creating an Awesome Product: The OMG Jellyfish Story | BackerKit<\/title>\n<meta name=\"robots\" content=\"index, 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