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when i first started working on symphony of the moth, it was actually called letters to burn. it was a good working title to hold me over until the real name clicked. over the five or six years i've been working on it, the whole thing has gone through so many revisions; adding pieces, cutting others, and reshaping it as I went. at one point i even threw out a fully formatted draft because it just didn't feel right, but starting over was the only way to get it where it actually needed to be. 
the cover is a very similar situation too, went through so many variations of basically the same vibe. it just took a couple years to finally hone that vibe in.